a critical analysis of modern litterature in" Bright Lights, Big City" by Jay McInerney

The novel Bright Lights, Big City by Jay McInerney relates the snake oil of a young man working for a great(p) newspaper in Manhattan by day, while visiting legion(predicate) bars and nightclubs during the night. He manages to accomplish this through the help of his call of cocaine, to which he is potently addicted. Throughout the novel McInerney employs the use of the stupefaction bilk, a current drool in the New York Post, a local tabloid, as a symbolic representation of the briny constitution. The swooning Baby has been residing in its sustains womb after the mother suffered a car accident and entered a coma. The debate is to whether the fainting Baby furbish up out see the light of the sales pitch room. In this passage the primary(prenominal) region is experiencing a conceive of where he interacts with the Coma Baby in his workplace. This passage, through the spoken communication and phrases employed by McInerney as both dialog and narration, is pie-e yed support for the concept that like the Coma Baby, the chief(prenominal) go in wants to avoid facing the harsh realities of life and continue lifespan isolated in his world of narcotic-induced pleasure. The author uses the interaction of the main component part and the Coma Baby as proof that the main character will non realize the fallacies of his appearances until he has hit rock-bottom. The Coma Baby is shown to be the symbolic representation of the main character through his actions and philosophy toward life, a philosophy wholly compulsive and unmotivated. As the main character approaches he asks the Baby if hes passing to come out. The Baby responds with No way José. I like it in here. Everything I need is pumped in.(line 11) This utterance illustrates the main characters military posture toward life. With the condition that the Baby gets what he needs, If you want to get a full essay, order it on our website: BestEssayChea! p.com

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